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Musicology and Performance Studies
  

Contracts (6) Researchers (30) Organisation Units (1)

Start year: End year: Sort alphabetically Sort by last update Sort by contract start date Gender and Canonisity in Scandinavian Music History 1890-1920. The Hermeneutics of Feminism and Canon-Transformations of Men's and Women's Music at the Dawn of the "Women's Century" Period: 1/1/09 - 12/31/10 Konserterprogram og musikkhistoriebøker har i løpet av de siste 100 år fått stadig sterkere fokus på en begrenset samling av "allment kjente og anerkjente klassikere", en såkalt kanon av "mesterverk". Menn og deres musikk har hatt en helt dominerende stilling, selv om det i de siste 30 år har ... Imagining Change: Women and the making of civil societies in the Artic region, Asia, Latin America and Europe Prof Tiina Rosenberg Period: 1/1/10 - 12/31/14 Interdisciplinary Approaches to Marginalized Performance Practices in India Prof Willmar Sauter Period: 1/1/09 - 12/31/09 Any performative practice offers a broad range of possibilities for conceptual, contextual, critical and aesthetic analysis of the society and the aspirations of the society members. Our intention is to shed light on India’s marginalized performance practices from inter- and intra-disciplinary ... Research School of Aesthetics Dr Jacob Derkert Period: 1/1/08 - 12/31/11 In January 2007 the Research School of Aesthetics at SU started its program with the first group of doctoral students. The collaboration between the aesthetic disciplines proved to be very fruitful and a solid ground for operating this research school. The school is financed by the Faculty of the ... The baroque as aesthetics and as experiment in opera post 1960; Lars Johan Werle’s operatic production analyzed and interpreted from the concept of performativity Dr Johanna Ethnersson Period: 1/1/09 - 12/31/11 During the last decades the baroque has been interpreted not only as a historical period, but also as a transhistorical category actualized under specific social circumstances. The art form music as well as the multimedial art form opera has, however, not yet been included in this research area. ... Wagner Influence in Swedish Opera between 1880 and 1920 Dr Joakim Tillman Period: 1/1/03 - 12/31/04 The purpose of the project is to analyse the influence of Wagner in Swedish opera between 1880 and 1920 from different perspectives like aesthetics, and reception and compositional history. The focus is on the three most important composers inspired by Wagner: Andreas Hallén (1846-1925), Wilhelm ...